jupiter and antiope myth

| December 10, 2020

Jupiter and Antiope is an oil painting by the French artist Antoine Watteau. The satyr is depicted in brown tones. [2] This statue is placed directly above a gallantly dressed man seen only from behind (Hagestolz) who considers the scenery as part of a group of men in the foreground (Watteau also painted a similar group of people in the Rural Pleasure of 1720, in that case standing under a statue of Venus). Dirce happened to sport Antiope, and commanded two nearby men to seize Antiope and tie her to a bull. Jupiter did not love his wife very much, and Juno distrusted her husband, and was always accusing him of unfaithfulness. Oil on canvas. The painting is oval shaped, with a width of 107.5 cm and a height of 73 cm. The novel was an international best seller, translated into 49 languages, with over 20 million copies sold. This item is restricted to only allow viewing of the metadata. Myths in paintings. Jupiter and Antiope by Nicolas Poussin as fine art print. In addition there is a clear aesthetic contrast between the two stereotypes. In addition there is a clear aesthetic contrast between the two stereotypes. Download this stock image: Venus and Cupid with a Satyr ( Jupiter and Antiope ) 1524 by Italian artist Antonio Allegri - CORREGGIO 1528 ( CORREGE ) - 2BN4AR9 from Alamy's library of millions of high resolution stock photos, illustrations and vectors. Accordingly, both nymphs and satyrs are very regularly depicted in mythology - and thence also in their subsequent artistic reception - in erotic contexts and are accordingly favoured topics of art. Jupiter and Antiope. Thus nymphs and satyrs present an optical contrast, which could hardly be any stronger and which makes them a perfect pair for artistic purposes. Location: Staatliche Kunsthalle Karlsruhe, Karlsruhe, Germany. His body is shadowy and cannot be made out below his hips. The painting still hangs there today.[5]. On either side, gnarled roots grow in the soil, which rise into indistinct trees. [1], https://en.wikipedia.org/w/index.php?title=Jupiter_and_Antiope&oldid=854813235, Creative Commons Attribution-ShareAlike License, This page was last edited on 13 August 2018, at 23:51. Watteau returned to the theme of the sleeping nymph in his 1719 painting The Elysian Fields, a scene of the gardens of the Champs-Élysées in Paris. Amphion and Zethus, in Greek mythology, the twin sons of Zeus by Antiope. The Seasons seem to have been designed as oval paintings with mythological scenes intended to decorate Crozat's dining room. Thus nymphs and satyrs present an optical contrast, which could hardly be any stronger and which makes them a perfect pair for artistic purposes.[1]. His suntanned skin and muscular body forms a clear contrast with the softly worked, shapely Antiope. Amphion became a great singer and musician, Zethus a hunter and herdsman. 1780. It is also known as the Satyr and the Sleeping Nymphand was probably painted between 1714 and 1719. Finally, an image now lost showed the whole image and was used by the engraver Anne-Claude-Philippe, Comte de Caylus as model for a copper engraving which was first published by Jules de Jullienne. In July 1971 Paraguay produced a postage stamp with the motif of the sleeping nymph. She became pregnant and bore the twins Amphion and Zethus, who later killed Nycteus' brother Lycus in revenge for his treatment of Antiope and took over the city of Thebes. The conservation status of the painting is relatively poor. The X-ray imagery and especially Watteau's sketches and the copper engraving of Watteau's contemporary the Comte de Caylus confirm that the satyr was painted by Watteau, which was once controversial. According to this myth, Antiope, the beautiful daughter of King Nycteus of Thebes, was surprised and seduced by Zeus in the form of a satyr. No sketches of Antiope are known, but Watteau had already produced a great number of female nudes and studies which he could draw on for this painting. small (250x250 max) medium (500x500 max) Large. The history of the painting after its creation is not yet completely clear and in particular its location before 1857 remains an open question. Her beauty attracted Zeus, who, assuming the form of a satyr, took her by force. Louis Béroud (French, 1852-1930). It is also known as the Satyr and the Sleeping Nymph and was probably painted between 1714 and 1719. They were mostly depicted with ivory, light and very delicate colours and an idealised female form, having close similarities with depictions of Venus. [6] He based his depiction not on the painting itself, but like most of his engravings on a drawing by Watteau which is now lost. Hercules and the Hydra and Hercules and Anteo, Antonio del Pollaiolo, ... Jupiter and Antiope, Rembrandt van Rijn, 1659, From the collection of: The Museum of Fine Arts, Houston. The painting comes out of the story of the seduction of Antiope by the god Zeus in Greek mythology, later imported into Roman mythology and told of the god Jupiter. Here, Zeus lifts the sheets to uncover the body of the sleeping Antiope. Jupiter and Antiope 1715-16 Oil on canvas, 73 x 107 cm (oval) Musée du Louvre, Paris: This painting, also known as Nymph and Satyr, is one of the most sensual works by Watteau. It is also known as the Satyr and the Sleeping Nymph and was probably painted between 1714 and 1719. She lies with her head on the left edge of the painting, twisted so that her front side faces the viewer. The Lovers of Zeus who were seduced by his powers of transformation included his seduction of Leda in the form of a swan, his seduction of Europa in the form of a bull and his seduction of Antiope as a satyr. In the 18th century, Correggio’s painting was thought to portray Jupiter … According to Börsch-Supan, the Hagestolz represents the natural counterpoint to the lustful satyr - he observes the figure on the pedestal with particular interest.[3]. They were mostly depicted with ivory, light and very delicate colours and an idealised female form, having close similarities with depictions of Venus. Expand Favorite. Another painting in which the painting appears as part of the composition is the Salle La Caze painted by Édouard Vuillard in 1922. The ground continues above the trees into the background, where there is a hill with lone houses. While it is true that according to myth Jupiter, greatest of all the gods, seduced Antiope in the form of a satyr, it is never stated that the latter was sleeping when discovered. File:Hendrick Goltzius - Jupiter en Antiope.jpg For the treatment of Dirce, it is said, Dionysus , to whose worship she had been devoted, visited Antiope with madness, which caused her to wander restlessly all over Greece [8] until she was cured, and married by Phocus of Tithorca, on Mount Parnassus , where both were buried in one grave. Accordingly, both nymphs and satyrs are very regularly depicted in mythology - and thence also in their subsequent artistic reception - in erotic contexts and are accordingly favoured topics of art. According to one account, her beauty attracted Zeus, who, assuming the form of a satyr, took her by force. [4] Today this theory is largely rejected. While the nymph was the source of the psychological term nymphomania (now hypersexuality), the satyr was the source of the once common but now outdated term satyriasis and can be understood as the nymph's male equivalent. Above that is the cloudy sky, discreetly lit by the glow of twilight. Probably Watteau painted the image as a commission for the merchant Pierre Crozat, for whom he also produced the series of Seasons painted at the same time. The circumstances of the painting's creation are not entirely clear (see below). They are based on the story of the seduction of Antiope by the god Zeus in Greek mythology, later imported into Roman mythology and told of the god Jupiter. Oct 26, 2015 - Jupiter and Antiope by Annibale Carracci (1560-1609, Italy) | Museum Art Reproductions Annibale Carracci | WahooArt.com Patrick Süskind's novel Perfume published by Diogenes Verlag since 1985 has a detail from Jupiter and Antiope on the cover with the armpit of the naked sleeper in the centre. Ernest Laurent copied the image as a grisaille and a free modern interpretation was made by Claude Schurr in 1966. With his left arm he lifts the cloth to the height of Antiope's shoulder and it is obvious that he has just uncovered the sleeping maiden. It is also known as the Satyr and the Sleeping Nymph and was probably painted between 1714 and 1719. The nymph is in general very beautiful and physically perfect. This arm covers the right breast, while the left remains free. La Fosse encouraged Watteau who had not practiced history painting hitherto to take on the work of the allegories of the Seasons, since he himself was not in the neighbourhood anymore. Intended to be placed over a doorway, today it hangs in the Louvrein Paris. On the other hand, the satyrs, who are the followers of Bacchus, are very ugly, with the horns, legs and sometimes the tail of a goat. The stories, myths and legends surrounding these romantic liaisons and the mythology of his other lovers are detailed below. In Greek mythology, Antiope was the name of the daughter of the Boeotian river god Asopus, according to Homer; in later sources she is called the daughter of the "nocturnal" king Nycteus of Thebes or, in the Cypria, of Lycurgus, but for Homer her site is purely Boeotian. large ( > 500x500) Full Resolution. Jupiter and Antiope, the Larger Plate Rembrandt van Rijn Jupiter and Antiope, the Larger Plate Public Domain. In 1857 the painting appeared at the auction of the collection of Theodore Patureau in a catalogue in which it was listed as a former possession of Prince Paul d'Arenberg. Stretched on canvas or printed as photo. This room and the two preceding ones originally formed a single space, which was then split up by the architect Antonio Asprucci (1723-1808) to make it symmetrical with the other wing of the villa. This might symbolise the novel's central theme of fragrant seduction. The nymph is in general very beautiful and physically perfect. Jupiter Discover the legends and myths and religious beliefs surrounding Jupiter, the Roman god of the Skies and King of the Gods, who was also known as Jove. The information in this article derives mostly from the works cited in the bibliography below, but the following sources were also used: Mythological background and reception in art, Provenance per Graselli and Rosenberg 1985, Last edited on 19 November 2020, at 12:45, https://en.wikipedia.org/w/index.php?title=Jupiter_and_Antiope_(Watteau)&oldid=989516364, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 November 2020, at 12:45. Jupiter and Juno, although husband and wife, did not live together very happily. 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