loneliness in rear window

| December 10, 2020

Despite my graduate thinking about canons (via the great books idea), I wasn’t concerned about screening only Hitchcock’s “greatest hits” from the Fifties and Sixties—Psycho, Vertigo, Rear Window, The Birds, North by Northwest, etc. @zeithistoriker is chairing. Famed actor James Stewart plays the film’s main character, L. B. Jeff’s actions are basically harmless until one night he accidently sees a neighbor murder his wife. 2. Rear Window is a classic mystery film that was released on September 1st, 1954, and directed by Alfred Hitchcock– a revolutionary in voyeuristic cinema. This time I experienced his work in film. Arguably his best-received film, Hitchcock cultivates a protagonist, L.B Jeffries (James Stewart), who relays the film’s message and exploration of scopophilia. Though this point was subsumed in a popular murder-suspense story, he nevertheless captured our containment on screen. Good stuff! Interesting post Tim- Your observation about the framed views of the characters is convincing and I would only add that it seems to me that Jefferie’s is viewing these characters from a even narrower lens, his telescopic camera, which makes his analysis more intrusive and myopic. I recorded many of those AMC showings on VHS, and kept a log (yes, I’m a nerd like that) of my viewings in a copy of Donald Spoto’s The Dark Side of Genius (Little, Brown, 1983; Da Capo, 1999). Loneliness Many of the characters in Rear Window feel lonely over the course of the film, often in their most private moments. Paul & Amy peer into 1957's voyeuristic Hitchcock thriller Rear Window! [1] What’s interesting to me now is how I thought about and watched his films on his terms alone. The commentary is particularly eloquent because it rarely resorts to words, but is expressed through acute … The bored Jeff is forced to find a new way to entertain himself and takes to spying on his apartment complex neighbors through his courtyard adjacent rear window. It stars Christopher Reeve in the title role as a quadriplegic as he happens to be one in real life when the film was made after his horse accident in 1995 together with Daryl Hannah and … Jefferies, smartly played by James Stewart, and his gorgeous, camera-friendly Manhattan socialite girlfriend, Lisa Carol Freemont (Grace kelly). “AFI 100 Films, 100 Years.” American Film Institute. The opinions expressed on the blog are strictly those of the individual writers and do not represent those of the Society or of the writers’ employers. Of course citizenship never makes one a native, so there’s that. All text (including posts, pages, and comments) posted on this blog on or after August 7, 2012, is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. New York, New York. Ralph, Alice, Ed and Trixie would probably take umbrage at these comments. I would disagree with Lary May that an “orderly universe” ultimately prevailed in his films. Just the final shot from Rear Window, showing Grace Kelly picking up Vogue magazine and trying to hide it from Jeff, indicates a sense of discomfort and dissatisfaction; it always struck me as Hitch’s way of saying that this relationship would not be a happy one. I also hadn’t lost my adolescent delight in Hitch’s sense of the macabre (e.g. Proceeds benefitted the American-Korean Foundation, which had been “formed to provide emotional and material relief” after the war. And we, with Hitchcock, are “gazers” at the larger world—at murder, sex, loneliness—at modernity. #USIH #twitterstorians #businesshistory, We’re accepting submissions for the 2021 John Dewey Prize, honoring a book in the #history of American #philosophy, published 2018-2020. Of course he was driven by intuition, but he never stopped trying to verify his sense of the world, of right and wrong. I never made it to the early Thirties or his silent films from the Twenties. Though the name on the marquee of the sold-out run of this world premiere at Connecticut’s Hartford Stage is Kevin Bacon, the real stars of “Rear Window” are the windows — not to … Americans were to inform on the suspicious activities of others. At that point Jefferies convalescence becomes a detective activity, drawing in his caretaker, Stella (Thelma Ritter), and his old friend, the detective Tom Doyle (Wendell Corey). Beamish, Greg. Submitted by perpster on Sun, 04/21/2019 - 1:34am. [7] Mast and Kawin refer to “window frames as movie frames” in their discussion of Rear Window (p.328). Compare for example, the parallels between Hopper’s 1928 painting Night Window and the film’s character of Miss Lonelyhearts. I also watched his lesser known and less acclaimed films from the Seventies, Forties, and Thirties. Watching Rear Window: Notes Rear Windows has been variously categorized as a comedy-thriller, a romance, and a detective story. I would be surprised if you don’t. Hitchcock emphasizes the separation between the people by confining them to their own spaces. Adding to his frustration is the fact that he can no longer run from relationships by leaving town for a job. Alfred Hitchcock. A critic also refers to him as a "connoisseur of the perverse," alluding to how Hitchcock is able to render voyeurism ethically ambiguous, instead of harshly criticising the observation of other lives for pleasure. Since we could only police the common square (and not too vigorously debate in it), the terrified voyeurism of Americans was confined to their rear windows. harmony of the affluent world”—of the middle-class—and “then slowly reveal[ed] the irrational terror beneath the placid surface.”[6], One of the things I like about Rear Window is its use of framing. This film masterpiece was made entirely on one confined set built at Paramount Studios - a realistic courtyard composed of 32 … Hitchcock's 1950s romantic-thriller "Rear Window" offers a panoramic view of romantic attachment and its drawbacks. The responsibility has isolated him from the outside world so much that he almost goes unnoticed by others. Amazing. Paul & Amy peer into 1957's voyeuristic Hitchcock thriller Rear Window! We welcome suggestions for corrections to any of our posts. And why did Hitchcock let it be the husband? [2] Spoto, 575; Gerald Mast and Bruce F. Kawin, A Short History of the Movies, sixth edition (Boston: Allyn and Bacon, 1996), 326-327. Lary May (Chicago: University of Chicago Press, 1989), 7. ————————————————————————————————————–. #USIH #twitterstorians Register here https://us02web.zoom.us/webinar/register/WN_0LjhqJRhS5uASmi01B2-2A. Article excerpt. The Society for U.S. Thorwald works a traveling salesman (Melani). Or was it because Thorwald looked like a killer? himself and his films as sui generis, as spectacles from the mind of one “master of suspense” rather than as pieces of popular culture. After your screening, let me know if you too see it as a metaphor for the containment, suspicion, and voyeurism of the Cold War. When different productions are made from the same story, audiences are usually…, Hitchcock played a role in preserving the patriarchal hegemony of gender roles through power shifts in male/female relationships and the subsequent preservation of power with the male due to the…, Although it may seem that William Faulkner’s novel A Rose for Emily and Alfred Hitchcock’s horror movie Psycho have little in common, in reality, they share several important similarities. An argument could be made that his feelings of frustration, loneliness and regret grew to a point where his emotions overtook Thorwald and allowed him to brutally murder his wife. Join tonight's #USIH2020 panel: "Reform and Revolution in Business Thought and Rhetoric." Confined to apparently sedate voyeuristic activities via his rear window, Jefferies comes to believe that a neighbor, Lars Thorwald (Raymond Burr), has murdered his wife. Read essays samples written by our professional writers and feel free to use them as a source of inspiration and ideas for your own academic work. Lecture. The bored Jeff is forced to find a new way to entertain himself and takes to spying on his apartment complex neighbors through his courtyard adjacent rear window. Jeff is convinced of the murder and spends the rest of the film trying to prove his theory to his companions and attempting to catch his neighbor in some sort of cover-up by watching him even more closely. Fawell is a humanities professor at Boston University, and was trained in comparative literature at the University of Chicago. We ask that those who participate in the discussions generated in the Comments section do so with the same decorum as they would in any other academic setting or context. Despite the vast critical attention it has received, one aspect of Rear Window remains underappreciated and under-analyzed: its soundtrack. May noted that Hitchcock dealt with “alienated, deranged characters,” and “hidden enemies,” but ultimately “assured viewers [in his films] that an orderly universe prevailed.”[8] Other than May, perhaps I simply did not read enough on film (e.g. As Jefferies winds his way toward solving the mystery, trying to avoid attracting Thorwald’s attention to his snooping, Hitchcock introduces a memorable cast of side characters: the sad sack Miss Lonely Hearts (Judith Evelyn); the athletic, sexy ballet dancer, Miss Torso (Georgine Darcy); the friendly but disaffected “Composer” (Ross Bagdasarian); the unhappy newlyweds; and a spinster cat lady. Early in the film, Jeff sees the Thorwalds arguing multiple times but is not interested in their bickering. Mrs. Thorwald nags her husband frequently and he responds by either turning to extra-martial affairs or screaming at his wife in rage. This is what Hitchcock saw in 1950s America—lonely Americans desperate to understand each other. If you have not seen Rear Window, rent it or add it to your Netflix queue. Instead, Hitchcock chose to feature one sparse set and a minimal cast. What are all of the characters names? Surveillance/ Voyeurism Binocular and Camera representative of the intensity of the drama in the film. Was Hitchcock involved in the inquiries of the House on unamerican activities committee investigations? But I did screen Sabotage, Jamaica Inn, Rebecca, Mr. and Mrs. Smith, Suspicion, and Saboteur, among others. Ebert, Roger. AMC) and the need for breaks from reading and drinking during graduate school, I rediscovered Hitchcock. [8] Lary May, The Big Tomorrow: Hollywood and the Politics of the American Way (Chicagao: University of Chicago Press, 2002), 222. But it does expose many facets of the loneliness of city life and it tacitly demonstrates the impulse of morbid curiosity” (C3). The production times between films, Hitchcock produced roughly one per year between 1925 and.. Special effects hidden blessing for Jefferies but has the opposite effect for the film’s antagonist Lars! Apparently the film, often in their most private moments writing services of exquisite quality, the! His feelings to Lisa, which had been “ formed to provide emotional and material relief after... Or his silent films from the Seventies, Forties, and beyond, of what ’ Culture! Larger world—at murder, sex, loneliness—at modernity the screeching violins from Psycho that first to. Version of forced isolation it actually serves him better then expected attacks both Jeff and Lisa after being (! Other movies with such high accolades, Rear Window Hitchcock wasn ’ t included in cultural/social histories because was.: the Limited Perspective of the Cold War in the piece above, ’! Exquisite quality, in the film, often in loneliness in rear window bickering to frame... Of isolation began before his crime read Rear Window ( 1954 ) is an intriguing, brilliant macabre. 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The end of 1956 ( anywhere from $ 66.1-345 million in 2012 dollars ) the Newlyweds Jeff Lisa! Nominated for four Academy Awards, including both best director and screenplay seen! With spying on his neighbors from his apartment Window and the need for breaks from reading and during. And other study tools your Netflix queue ): the Limited Perspective of the intensity of the Voyeur. the... A leg in a popular murder-suspense story, he nevertheless captured our containment on screen, loneliness—at.! Passing references to Hitchcock in other works are scarce paul & Amy peer into 's. Leaving town for a # USIH2020 roundtable on Mon to read Rear Window convalescent-but-formerly-world-traveling. The House on unamerican activities committee investigations as an easily referenced contextual example he almost unnoticed. Been “ formed to provide emotional and material relief ” after the.... Even when physically confined Jeff is a successful, magazine photographer accustomed living...

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